Sor Juana Inés de la Cruz: The Latina Feminist Icon of the 1600s

Paiting of Sor Juana Inés de la Cruz

This article is part of a series developed in partnership with Project Pulso.

Sor Juana Inés de la Cruz is a towering figure in the literary canon of the Spanish-speaking world. Born in the mid-17th century, in colonial-era Mexico, she was a woman far ahead of her time, breaking barriers in areas like education, women's rights, and even expressions of sexuality. Today, her legacy is an inspiration for women, educators, and the queer community around the globe.


A Self-taught Scholar

Born in 1648, Juana Ramírez de Asbaje, later known as Sor Juana Inés de la Cruz after becoming a nun, was a child prodigy who taught herself to read and write. She developed a deep love for learning, despite women's education being frowned upon in her era. Sor Juana's craving for knowledge was insatiable; she allegedly begged her mother to allow her to disguise herself as a boy to attend the university, which was closed to women.

Her self-acquired education led her to become one of the most educated women of her time, a scholar of wide-ranging topics, including theology, philosophy, music, and natural science. In her convent enclosure, she compiled a vast library, making it a sanctuary of learning that defied the restrictive norms of the time.

Advocate for Women's Rights

Sor Juana was unyielding in her fight for women's rights, especially the right to education. Her most famous work, "Respuesta a Sor Filotea" (Reply to Sister Philotea), is a passionate defense of women's right to knowledge and education. She argued that women had the same natural rights as men to knowledge and learning, an idea that was revolutionary at the time.

In her writings, Sor Juana exposed the hypocrisy of the patriarchal society that chastised women for wanting to educate themselves while simultaneously blaming them for not being knowledgeable. Through her intellectual achievements and passionate advocacy, she became a trailblazer for women's rights and a pioneer of early feminist thought.

Queer Expression in Her Poetry

Sor Juana's poetry is not only celebrated for its lyrical brilliance and intellectual depth but also for its exploration of feminine sexuality. Many of her poems present strong homoerotic subtexts, offering a fresh perspective on female sexuality that contrasted starkly with the dominant narratives of her era.

While the term 'lesbian' did not exist in the 17th century, her love poetry often includes female muses and objects of desire. Poems like "Rosa Divina Que En Gentil Cultura," with its sensuous imagery and feminine symbols, later led critics and scholars to interpret them as expressions of queer identity.
Divine rose, that in a gentle upbringing,
with your fragrant subtlety, are
the purple-tinted teacher of splendor,
and a snowy lesson for beauty.
Gesture of human architecture,
an example of vain kindness,
in which Nature decided to join
a joyful cradle and a sorrowful grave.
How arrogant you're in your splendor,
as you disdain the risk of dying,
and then, withered and hunched,
you give gloomy signs of your expiration,
with it, a well versed death, and foolish life,
you deceive by living and teach by dying!

The lesbian interpretation of her poetry remains contentious due to the historical and cultural distance. However, there's no denying that her vivid explorations of female love and desire are highly unusual for her time and she challenged traditional 17th-century norms. Whether Sor Juana identified as a lesbian or not, her verses resonate with many people in the LGBTQ+ community and have made her an important figure in queer literature.

A Lasting Legacy

Sor Juana Inés de la Cruz left behind a legacy that resonates with people worldwide. She broke barriers at a time when women were actively discouraged from seeking education and knowledge. Her brave advocacy for women's rights marked her as a precursor of feminist thought. Moreover, her provocative poetry challenged the dominant heteronormative narratives of the time, making her a significant figure in queer literary studies.

To this day, she’s a powerful symbol of resistance against the subjugation of women and the denial of their rights to education and the expression of their sexuality. Her life and work continue to inspire and empower women, educators, and members of the LGBTQ+ community around the world, affirming that knowledge, courage, and authenticity are boundless, regardless of time and place.

bop the bigot video game logo

In 2024, voting campaigns have evolved greatly, to say the least. Creativity is now the name of the game and tongue-in-cheek humor is expertly leveraged to drive action. One example of that is Bop the Bigot, a revival of a viral game created in 2016 by Bazta Arpaio, an Arizona activist group, as part of a campaign to unseat Maricopa County’s Sheriff Joe Arpaio. Arpaio lost his re-election to Paul Penzone that year.

The game has now been updated for the current election cycle and relaunched by On Point Studios, with new features added to enable players to find out what’s on their ballot, confirm voter status, and register to vote.

Much like its former 2016 version, the game allows users to take out their political frustrations by virtually “bopping” GOP candidates in the head. It’s very similar to whack-a-mole, except the mole is replaced by former President Donald Trump, Ohio’s Senator J. D. Vance, and Kevin Roberts, President of the Heritage Foundation, which is spearheading Project 2025.

cartoon renditions of Donald Trump and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

B. Loewe, Director of On Point Studios, came up with the concept for this game when working as the Communications Director at Bazta Arpaio in 2016, and is the executive producer of this revamped version. In the first version of the game, Bop the Bigot players used a chancla (flip flop) to “bop” the characters, tapping into Latino culture by leaning on the childhood experience of being set right by a flying chancla from a fed-up mother or grandmother.

This year, the chancla is replaced by a more current element, a green coconut, referencing Kamala Harris’ coconut tree meme. There are also side characters like “the couch,” cat ladies, and more coconuts. All references to jokes about Vice-Presidential candidate Vance, or insults Vance has made about women on the campaign trail.

Another new addition is that Harris’ laugh is immortalized as the game-over sound effect, an unexpected detail that adds even more humor and levity to the game.

cartoon renditions of Donald Trump, Kevin Roberts, and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

Bop the Bigot, which is playable on desktop and mobile, is intended not just as a way to vent political frustrations, but also as a tool for activism and securing voter engagement.

For example, the game supports the work of Mexican Neidi Dominguez Zamorano, Founding Executive Director of the non-profit organization Organized Power in Numbers by using the “game over” screen to prompt players to donate to it and support their efforts.

Organized Power in Numbers is focused on empowering workers in the South and Southwest of the U.S. through collective action and comprehensive campaigns. Their mission is to create a large-scale movement that challenges the status quo and advocates for workers' rights, and racial and economic justice.

Currently, Dominguez Zamorano is leading worker outreach to 2 million working-class voters in the South and Southwest through doorknocking, texting, and calls with the help of local groups in North Carolina, Arizona, New Mexico, and more.

“We have been blown away by the enthusiastic reception for the video game. We knew we wanted to be part of its creative approach because our movement needs more fun and laughter. We need more ways to connect with nuestra gente so we can feel joy among all the absurdity we witness every day,” Dominguez Zamorano shared with Luz Media via email.

“Our people are gente trabajadora and we deserve to feel uplifted even in our toughest moments. We are deeply involved in the South and Southwest so we know what’s at stake in this election and we’re happy this can be a resource to mobilize, raise spirits, and get out the vote," she concluded.

Dominguez Zamorano is a committed activist for immigrants and workers' rights, known for her strategist skills and expertise. She played a key role in the campaign to win DACA and has also held roles in major campaigns, including as Deputy National States Director for Bernie Sanders' 2020 presidential campaign. In addition to her work with Organized Power in Numbers, Dominguez Zamorano is serving as a Senior Advisor to Mijente’s Fuera Trump Initiative.

Grassroots efforts like these have taken on new life in 2024, with Bop the Bigot adding to the larger, ongoing fight against political apathy and disinformation. Just as it did during the 2016 race, the video game uses humor to soften the serious task at hand—getting people to the polls.

"We want the game to be a fun and comical outlet for anyone who’s been insulted, frustrated, or harmed by Trump in the past and everyone who is ready to move forward as a country after election day," explained Loewe in a press release. "The proposals in Project 2025 and the beliefs of Trump and Vance aren’t just weird, they’re truly harmful. We wanted to give people a humorous and peaceful way to smack down their racism and sexism. We hope it makes people laugh and also feel empowered and motivated to get to the polls on or before election day."

With a mix of satire, sharp political critique, and nostalgia, the game is a call to action. The upcoming election, which is getting closer by the minute, has sparked fierce activism and creative yet grounded initiatives like these aim to ensure voters are engaged, especially young Latinos and disenfranchised groups.

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