In The Community
Labels are ever-illusive as they change through generations and as people struggle to identify with the boxes. Labels are constantly evolving and as long as people keep changing and expressing how they feel, the labels will change, especially in such a misunderstood and complex community like “Latinos.”
According to the Pew Research Center, 47% of Latinos identify with their country of origin, and 39% by Hispanic or Latino. When the vast majority of the Latinx community identifies with personalized AND broad catch-all’s, how do most people figure out what race box to put themselves in? (and yes, at Luz Media we use all the terms interchangeably – we’re certainly not going to attempt to be the arbiter of this topic desmadroso!)
Without getting into the discussion of race, we are sticking to the superficial topic of identity labels that exist for Latinos, Latinx, Hispanic, WHATEVER YOU CALL YOURSELF (and what non-Latinos call us).
Hispanic
Yeah, yeah, we know we’re tired of that label, and of course, it’s problematic because it highlights the language and, therefore, the heritage from Spain. Paloma Celis Carbajal states that the term Hispanic came to prominence in the late 1960s, and it wasn’t until 1980 that the term Hispanic first appeared on the U.S. Census. At least for a while, Hispanic was the go-to term when referring to people with heritage from Spanish-speaking countries in Latin America. It has since fallen out of favor for what was once considered the more “accurate” term for our community, “Latino.” Read on…
Latino
After the controversy of Hispanic, the Latino term arrived! Felicidades, mi gente! The already known and widely used term appeared in 1997, where, according to Carbajal, the Office of Management and Budget issued a directive adding the term Latino to government publications, and it appeared on the 2000s Census as Hispanic/Latino. It intends to be a catch-all for people with origins from all Latin-American countries, and a few Caribbean countries.
The problem? Not everyone is from Latin America – ummm, hello native Mexicans before the Mexican-American War, and is this when we talk about some Brazilians who don’t consider themselves Latino or Indigenous who opt to identify as White? The answer to the latter is absolutely not. Have that discussion on your own with a Brazilian in your life. Needless to say, the catch-all “Latino” has more holes in it than our old chanclas that we refuse to get rid of.
Latinx
A new term! It’s the gender-neutral version of Latino or Latina. It exists to be more inclusive and considerate of non-binary folks who are part of the Latinx community. It’s most often used amongst young, liberal, and college-educated Hispanics. Here at Luz Media, we like it because we like the spirit of it.
That being said, we get it. The main argument we often hear is that the term is an affront to the Spanish language, which is a gendered language. And dios guarde, we can’t change the basics of our mother tongue! Considering that Spanish is the language of colonizers and if the genocide of indigenous Latin-Americans had never happened, most of us non-Spanish people would be speaking local native languages and dialects, we don’t buy the “our Spanish is sacred” argument, but we do buy the argument and fact that the very vast majority of people simply do not identify this way.
But also, Latinx is ironically often criticized for the same reason Hispanic fell from grace – the term is said to have originated from high-brow academia and the scholarly “woke” that has a largely U.S. and English-based construct, and therefore doesn’t really accurately represent the large population that includes first-generation immigrants.
The evolution of language takes time, and we’re open to waiting for the adoption of this one or the transition into the next one.
Latine
Speaking of which, wait no further, gente hermosa!! As expected, all new terms are challenged, and Latinx is no exception. Wait – remember that Spanish language critique? Turns out a lot of people respect that critique, and in an effort to be the everlasting people of peace (that didn’t go well for our ancestors…), the term Latine can be more easily integrated into the pronunciation of Spanish. So now the gender-neutral term is pronounceable. Now it’s the wait and see game – will this newest label become widely adopted?
Chicano
But hold up, hold up. According to the 2019 U.S. Census Bureau population estimate, among Hispanic subgroups (their word, not ours), Mexicans made up the largest group at 61.4 percent. Following with: Puerto Ricans (9.6 percent), Central Americans (9.8 percent), South Americans (6.4 percent), and Cubans (3.9 percent). So we would be remiss if we didn’t mention the OG label, Chicano.
This label is used primarily in the Southwestern U.S. and amongst Mexicans. It’s a combination of Mexican and American and was used as a pejorative word at first. When Mexicans joined their Black brothers and sisters in the quest for Civil Rights in the 1960s, the term was proudly reclaimed in an effort to rid the word of its negative connotations. Wikipedia tells us it was Rodolfo “Corky” Gonzales, who was one of the first to reclaim the term.
In today’s quest to seek personal truth and proud identity, the term is experiencing a bit of a resurgence amongst newly minted young Chicano activists.
Afro-Latino
The term Afro-Latin@/x has recently emerged into widespread use as a response to the invisibility and intentional erasure of Latin-American and Caribbean people with African heritage. To further expand, Black Latinos is the label to account for Latinos who are mixed race, or don’t identify with the “afro” description. The rise in popularity of the terms has helped discuss and address the rampant anti-blackness and colorism within the Latino community both from our native Latin-American countries and at home in the United States.
These terms, specifically as it relates to Afro and Black Latinos, are evolving even faster than the rest because after being ignored and discriminated against for so long, the Afro-Latino community has a lot to say about their experience and identity. Rightly so, and we’re here for it.
We know our people will have something to say after this roundup. Did we miss any? (wasn’t intentional!) Don’t cuss us out. We’re just the messengers. Luz Media is run by Latinas, and we’re for Latinas, but in our coverage of topics and people, we go out of our way to refer to people the way they identify themselves. Don’t let this article give you high blood pressure; remember, at the end of the day, we’re all just people doing our best (most of us, anyway, some people actually do suck).
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Tanya Saracho believes if anyone is going to write about Latinas, it should be Latinas. “When you’re writing about culture and society in a moment in time, I think you better access the people who are living that moment in time,” said Saracho.
That’s why Saracho, who was born in Los Mochis, Sinaloa, México and grew up along the border in McAllen, Texas, sought out Latinx staff for Vida, a show for the Starz television network. Vida centers on two Mexican-American sisters who return home to the Boyle Heights neighborhood in Los Angeles after their mother dies. As the neighborhood around them changes due to gentrification, the sisters themselves journey through their own identities and relationships.
Vida joined a short list of Latinx shows when it premiered in 2018. It broke new ground by addressing topics like colorism and classism within the Latinx community, in addition to showcasing a diversity of queer Latinx characters. But Saracho says the team concentrated on the character’s emotional life rather than focusing solely on specific topics or themes.
“There are other Latinx shows that have taken the topical approach, and I respect and appreciate them for that because we need that kind of content,” Saracho said during a recent phone interview with the Luz Collective. “But I selfishly concentrated on keeping the girls as complicated and as true to self as they could be. Hopefully you could recognize yourself in them.”
The writers’ room consisted of all Latinx writers for the first two seasons and became an all Latina writers’ room for the third and final season, which premieres on April 26. Saracho hired all Latina directors for Season 2 and 3 and worked with eleven female artists, nine of them Latina, to write the music for the show. Some positions were harder to fill though. Saracho was finally able to find a Latina production designer for Season 3 after they couldn’t find one for the first two seasons.
“Yes, it takes more effort, but it’s doable. I don’t want to hear that we’re not out there,” said Saracho. “I don’t want to hear that because I’m proof that we are, meaning in the way that Vida was made. I’m proof. Vida is proof.”
Saracho credits Marta Fernandez, the former executive vice president of original programming at Starz, for providing the space for her vision. The showrunner was ready for a fight when she pitched an all Latinx writers’ room, but not only did Starz give her the greenlight, they also had a list of potential writers ready for her.“Because a Hispanic woman was the one who hired me at Starz, I feel like I never got a no,” said Saracho. “Every step of the way, I just got a yes. I didn’t know it was so rare that she said yes.”
After the first season, reporters would bring up her Latinx writers’ room and some made her feel like it was a gimmick Saracho said. But looking at her background, her hiring practices make sense. Saracho started an all-Latina theater company in Chicago called Teatro Luna in 2001 as a response to the lack of representation in the industry. When she was acting, she said she was only offered roles as a maid with one or no lines and saw the same women auditioning for the same roles.
So Saracho decided that the only way to get through the door is to create the door herself. Teatro Luna’s 10-year run wasn’t easy. They didn’t have money to pay royalties for a playwright, so the members would write the plays themselves despite their lack of experience. “By the end of the 10 years, you had writers that we had created, and I directed 16 of our productions,” said Saracho.
Gloria Calderón Kellett, the showrunner for One Day At A Time, a sitcom centered around a Cuban-American family that just released its fourth season, helped Saracho navigate through the process when she started Vida. Calderón Kellett would answer questions and offer her insight from her own experiences navigating the industry as a Latina. Saracho decided that she wanted to offer that same mentorship to new Latina showrunners and created The Untitled Latinx Project. “I could tell they were going to need what I needed and had from Gloria,” saId Saracho.
The Untitled Latinx Project partnered with The Black List for The 2020 Latinx TV List that will select one-hour and half-hour original pilots written by at least one Latinx writer and that feature a Latinx or Latin American character. The last day to submit a pilot is April 29. Saracho said that since the announcement, The Black List has received more submissions than they’ve had in years. “We’re super excited to do that as a group especially because we’re all writers and we all know that that first step is super hard,” said Saracho.
Saracho admits that it does require more effort to allow someone to learn their craft during a production like Vida. But the payoff was worth it. For example, Saracho’s cinematographer, Carmen Cabana, ran the camera department and was responsible for 36 people and herself for the show. That experience has led to new opportunities for Cabana, including recent work on Hulu’s High Fidelity. Vida script coordinator Jenniffer Gomez became a staff writer and a producer and is currently working on a series based on the documentary, The Infiltrators. Helping Gomez was the most fulfilling, said Saracho, because Gomez had been trying for years to get into a writers’ room.
“The first chance is the hardest,” said Saracho. “I’m so proud of those examples. That is building a movement of artists that are ready. We’ve been ready but on the sidelines, and now we’re showing you ‘Look at us.’ It wasn’t a gimmick.”