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Video by mxespaciolibre on Instagram
As reported by Espacio Libre, a local news and media website that planned on transmitting the eclipse, some of the U.S. tourists were blatantly disrespectful toward locals, claiming that they were having a “private event.” The tourist group was accompanied by the assistant secretary of “Planificación y Desarrollo Turístico” (“Tourism Planning and Development”), Olivia Margarita Fernández, who was seemingly involved with the U.S.-based travel agency, “Betchart Expeditions.” Fernández supported the group of what seemed to be mostly American tourists by claiming that the area was only accessible to those who had paid to be there. When asked who they paid, she provided no answer.
Video by mxespaciolibre on Instagram
As reporter José G. Martínez and his cameraman asserted their right to be there; they were met by the entitled attitude of one of the women from the tourist group, later identified as tour guide Tanya Deyoung. In the video shared by Espacio Libre, Deyoung is seen mockingly saying “goodbye” and “adiós, ahora” as she waves them away dismissively. When Martínez refused to leave, she yelled “no” in his face and physically blocked him from entering the area that the foreigners appropriated as theirs.
Video by mxespaciolibre on Instagram
As the confrontation continued, Deyoung claimed that the tourist group had a “contract” with Fernández for the private use of the space. Martínez and his cameraman didn’t back down, and neither did the residents, who also started to speak up. Among them was a young girl who defended her right to be there. She said, “They won’t let us in, they’re blocking us. They’re not respecting the rules. We have priority because we live here. When we go there [to the U.S.], they kick us out. They’re acting as if this is their city.”
Video by mxespaciolibre on Instagram
Before the girl could continue, Deyoung interrupted and silenced her, screaming very close to her face, “Please leave our private event!” Then, she continued mockingly saying “adiós” and waving them away.
Video by mxespaciolibre on Instagram
Eventually, Martínez approached assistant secretary Fernández, asking to see the alleged permit that allowed the foreigners to claim a public space. Espacio Libre was shown a document that turned out to be a request, not a permit. The request was addressed to the Director of “Ferias, Espectáculos y Paseos Turísticos de Durango” (“Fairs, Shows and Sightseeing Tours of Durango”), asking for the space to set up a group of “specialists in various fields to observe the eclipse” from 8 a.m. to 3 p.m.
Martínez noted that the group didn’t have any specialized equipment with them, and the request didn’t specify what kind of specialists they were. Moreover, they were seen dancing, led by Fernández, an activity usually practiced for entertainment, not scientific observation.
Video by mxespaciolibre on Instagram
Video by mxespaciolibre on Instagram
Espacio Libre’s investigation revealed that they weren’t a group of specialists at all and that the travel agency charged 6,390 USD per person. There were at least 50 people in the group, according to Martínez, which adds up to around 319,500 USD or 5,400,000 MXN. Martínez wondered how much of that money was pocketed by the government of Durango to allow the group of foreigners to appropriate the most privileged spot to watch the solar eclipse.
Video by mxespaciolibre on Instagram
When Espacio Libre shared clips of these deplorable actions on social media, Durango residents and people all over Mexico and the U.S. were outraged. The video quickly went viral as more and more Latinos reproached the vile attitude of white Americans, who, even in foreign countries, feel entitled to claim any space as theirs. Moreover, many took to Yelp to leave scathing reviews calling out the racist behavior of Betchart Expeditions’ staff. Currently, the travel agency's website and Facebook page are temporarily down.
It’s speculated that the Department of Tourism Planning and Development carries some of the responsibility by allowing Fernández to rent out a public space. It’s not just illegal to do so, but it also violates an essential human right–the freedom of movement. In response to the allegations, the Department of Fairs, Shows and Sightseeing Tours of Durango issued a statement, claiming, “At no time was space rented to foreign tourists at this sighting point. Only a small space was delimited to protect the technological equipment of foreign astronomers."
Many perceive these actions as discriminatory against Mexicans, and the fact that it happened on their own soil, seemingly backed by their own government, makes the situation even more shocking. Below is the full video from Espacio Libre TV on Instagram for the complete story.
Note: the video is in Spanish, no English captions are available on Instagram.
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The luchador's mask is not just a face cover; it's an identity, a conduit connecting the wrestler with the audience, a symbol of honor to be protected at all costs. A wrestling match doesn't just end with a defeat; sometimes, it ends with a loss of the mask, a disgrace that overshadows any physical torment.
Lucha Libre isn't merely a sport; it's a cultural celebration, an art form that shapes and colors the Mexican canvas of life, where the heroes and villains from the ring live on as murals on the walls, characters in TV shows, and even as action figures in a child's game.
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Entering this vibrant, high-energy world requires more than courage. It demands an ironclad commitment to physical excellence, an artist's flair for dramatic storytelling, and an acrobat's grace. A luchador or luchadora must master the art of engaging in combats that demand intense athleticism while ensuring they provide a thrilling spectacle rather than an actual physical altercation.
For many years, Lucha Libre was a dance that only men were allowed to perform. The ring resonated with the footfalls of the male luchadores, while women could only watch from the stands. But then came the luchadoras, claiming their rightful place in the ring.
The journey of the luchadoras in Lucha Libre commenced during the mid-twentieth century. These audacious women first graced the ring in the 1940s and 1950s, participating in what was then termed "exhibition matches."
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They were oddities, curiosities meant to amuse rather than engage the audience. Yet, these were the pioneers, the early luchadoras who dared to dip their toes in the testosterone-infused waters of Lucha Libre, setting the stage for future generations of women wrestlers.
Lucha Libre is rich with stories of luchadoras who have distinguished themselves in the wrestling ring with their unique talents and captivating performances. Irma González is a remarkable example, a woman of many masks: Flor Negra, Rosa Blanca, La Tirana, La Dama del Enfermero, La Novia del Santo, and Emperatriz Azteca. Lola González is another luminary, a luchadora who etched her name into the annals of Lucha Libre with her signature moves and unmatched tenacity.
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Stepping into the ring today, you'll find luchadoras like Marcela, Princesa Sugehit, and Zeuxis, who are adding their unique chapters to this exciting narrative. They've earned a reputation for their formidable wrestling techniques and a keen sense of showmanship that lights up the ring.
Global recognition has come calling too. Luchadoras such as Sexy Star and Faby Apache have impressed audiences beyond Mexico. Their performances resonate on an international scale, drawing attention to the fascinating world of Lucha Libre and inspiring more women to explore this intriguing profession.
Luchadoras are often seen as disruptors, as they defy deeply entrenched beliefs about femininity and a woman's place in society. For many, the sight of women executing high-flying maneuvers, engaging in physically intense combats, and showcasing raw power remains an unconventional image. However, through consistent excellence and display of courage, the luchadoras have won hearts and minds.
It’s essential to point out that the challenges for luchadoras extend beyond societal perceptions. There are the grueling physical demands of Lucha Libre that demand peak physical fitness and agility. Luchadoras have to train just as hard, if not harder, than their male counterparts to ensure they can meet the exacting requirements of the sport.
And they must do so while navigating a system that often undermines their efforts or overlooks their accomplishments.
For example, women frequently find themselves assigned to the earlier rounds, rather than the prime-time, headline slots. As a consequence, they often face lower paychecks compared to their male counterparts. Wage disparity, limited opportunities, and lack of representation are just some of the additional battles these brave women face outside the ring.
Yet, in spite of these challenges, they remain undeterred. With every dropkick, body slam, and flying maneuver, they assert their rightful place in Lucha Libre. As they continue their journey, they reinforce the true essence of Lucha Libre – an unremitting battle for honor and respect.
But why is there such a vast discrepancy between how cultures view this unique crop phenomenon?
What is huitlacoche aka “corn smut”?
Huitlacoche has deep roots in Mexico's history, dating back to ancient civilizations like the Aztecs. While it might look unappealing at first glance, this corn fungus is packed with a rich, earthy flavor reminiscent of truffles. Prepared correctly, it's a savory treat that has graced traditional dishes such as quesadillas, soups, and tamales.
Photo by Los Muertos Crew: https://www.pexels.com/photo/brown-ceramic-bowl-with-food-on-brown-wooden-table-7601342/
While many American farmers view huitlacoche as a pestilence, ruining their corn crops, some farmers in Mexico and other parts of the world willingly infect their corn with the fungus. Why? Because it can often fetch higher market prices than regular corn. This is due to its rarity, unique taste, and the culinary demand, especially in upscale restaurants.
Not to mention huitlacoche is nutritionally superior to regular corn. It boasts higher protein content, is rich in unsaturated fats (particularly linoleic acid), and contains beneficial amino acids and vitamins. This makes it not only a gourmet delight but also a healthy choice.
If it’s so good, then why is huitlacoche constantly underappreciated?
The disparity in perspectives largely stems from cultural differences and, most probably, a lack of familiarity. Many American farmers, unfamiliar with the delicacy that huitlacoche represents, see only the loss of their regular corn crop. However, as globalization continues and food enthusiasts seek out authentic, world-renowned ingredients, the view on huitlacoche is slowly beginning to shift.
Chefs, particularly those championing Latin American plant-based cuisine, particularly Mexican, have played a pivotal role in introducing huitlacoche to new audiences. Their innovative dishes showcase the versatility and flavor of this "Mexican truffle," are gradually changing perceptions and making it more mainstream.
It's fascinating how one culture's pest can be another's treasure. The story of huitlacoche underscores the importance of cultural exchange and open-mindedness when it comes to food. Often, what we're unfamiliar with can seem off-putting, but with a little exploration and understanding, we can uncover hidden culinary gems.
So, the next time you come across huitlacoche on a menu or in a market, give it a try – you might discover a new favorite delicacy you've been sleeping on.
