In The Community
The In Between
"The In Between," was directed by Robie Flores and it was included in the SXSW Documentary Feature Competition. The film offers a poetic perspective of the coming-of-age experience while living on the U.S.-Mexico border, with Flores revisiting her hometown Eagle Pass after her brother’s death. The film paints a very personal portrait of growing up on the border and the rediscovery of joy after grief.
Bionico’s Bachata
“Bionico’s Bachata” is a Dominican movie by filmmaker Yoel Morales that explores themes like love, friendship, and addiction. Included in the SXSW Global category, this is an experimental comedy-drama that follows Bionico, a crack addict and hopeless romantic. Against the backdrop of a hostile Caribbean city, Bionico is struggling to stay clean while also trying to find a job and a house to start a new life when his fiancée, La Flaca, comes out of rehab.
Malta
“Malta” was directed by Colombian Natalia Santa and it follows Mariana, a young woman who wants to get away from her everyday life as a working girl in Bogotá. She chooses Malta as her destination but before she gets there, she meets Gabriel, who wiggles his way into her life with tough questions and bad jokes, forcing Mariana to look within herself and determine what she’s really running from. Included in the SXSW Global category, this movie explores love and self-discovery.
Música
Included in the SXSW Narrative Feature category, “Música” is the directorial debut of musician and actor Randy Mancuso of Italian-American and Brazilian descent. The film tells his coming-of-age story and it explores both how he deals with synesthesia, a condition in which one sense is experienced in combination with another sense, and the Brazilian-American culture he grew up with.
Cheech and Chong’s Last Movie
"Cheech and Chong's Last Movie" is the first authorized documentary by the duo and it was directed by American David Bushell. Included in the SXSW Documentary Feature category, this project relives the glory days of Chicano comedian Cheech Marin and Tommy Chong through archival material. It provides laughter and many insights while exploring themes like fame and friendship.
Y2K
“Y2K” is a disaster comedy film directed by American comedian Kyle Mooney and included in the SXSW Narrative Feature category. The film stars Rachel Zegler of Colombian and Polish descent as the lead, sharing the spotlight with Jake Gyllenhaal, Sydney Sweeney, Ryan Gosling, Anne Hathaway, and Dev Patel. The movie is set in 1999 and it follows two high school juniors who crash a New Year’s Eve party that ends badly.
Sing Sing
Directed by American filmmaker Greg Kwedar and included in the SXSW Narrative Feature category, “Sing Sing” is a drama film starring Afro-Latino star Colman Domingo. The film is based on real events at the famous Sing Sing prison, which uses theater as a part of their rehabilitation program. The story follows Divine G., a man imprisoned for a crime he didn’t commit, as he finds his purpose through participating in the prison’s theater group. It explores themes of humanity, resilience, and the power of art.
Toll
“Toll” was directed by Carolina Markowicz, a Brazilian director and writer based in São-Paulo. The film follows a mother and toll booth attendant named Suellen as she gets involved with a gang of thieves to make extra money for her family. However, her main goal in raising money is to send her son to a gay conversion workshop.
Bob Trevino Likes It
Directed by American director and screenwriter Tracie Laymon, “Bob Trevino Likes It” is based on a true friendship that Laymon sparked with a stranger as she looked for her estranged father online. The film stars Barbie Ferreira of Brazilian descent and Colombian-American John Leguizamo and it explores friendship and familial connections.
Omni Loop
“Omni Loop” was directed by Brazilian Bernardo Britto and it’s a comedy, drama, and sci-fi movie starring Mary Louise Parker and Ayo Edebiri. The story follows Zoya Lowe as she gets diagnosed with a black hole in her chest and is given a week to live. However, this is an experience she has had many times before. Until she meets Paula, a young woman who studies time, and together they set out to solve time travel so Zoya can go back in time and live the life she’s always wanted.
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One of the countless Latinas touched by Frida Kahlo’s work is Carla Gutierrez, an Emmy and Eddie nominated documentary editor who developed a strong connection with the artist. In an interview with Luz Media through Zoom, Gutierrez said, “I discovered her really young. I was a new immigrant and I saw her painting Self-portrait on the Borderline Between Mexico and the United States, and I was like, “Who is this artist that’s showing my own feelings to myself? That was the beginning of my obsession with her.”
That emotional connection with Kahlo and her work continued throughout Gutierrez’s life and is now cemented in her latest project and directorial debut, “Frida,” a raw and intimate documentary that tells the artist’s story through her own words from diaries, letters, essays, and interviews. Kahlo’s words, which are delivered in heartfelt narration by Fernanda Echevarría del Rivero, are accompanied by photos and her unforgettable artwork, brought to life through lyrical animations that add movement and feeling.
When asked why she decided to make this documentary, Gutierrez explained, “One of the reasons is because I hadn’t seen a documentary really focus on her voice. When I started looking into the story, I saw that she actually had a lot to say about her own life, and her words were out there in archival material. So I saw that there was an opportunity to let her actually speak and tell us her own story.”
And that’s exactly what she accomplished.
“Frida” tells the story of her life in chronological order, covering her childhood, the devastating accident that changed her life, and her tumultuous relationship with the famed muralist Diego Rivera, all the way up to her death. However, the documentary goes beyond a simple biography by showing her internal, emotional journey into becoming the artist and icon that she is today, and it feels like she’s truly the one speaking.
It’s an intimate narrative that doesn’t shy away from what many may think of as the “ugly” parts of life and doesn’t try to embellish either. In watching this documentary, viewers will feel like they’re sitting down with Kahlo herself as she opens up her inner world to them, revealing her joy, pain, love of life, and shortcomings.
Gutierrez also shared that, due to finding Kahlo’s work at such a pivotal time in her life, she developed an emotional connection with the artist. “Obviously, there’s millions of people in the world that have that emotional connection. So who am I [...] to say ‘Well then, I’ll tell her story’? But I was coming to her with that emotional connection and emotional understanding of the Latino culture, [...] and a lot of experience as a documentary editor putting these stories together [...], so I felt like I could bring something into this story,” she explained.
“Frida” is a project fueled by passion, creativity, and a desire to amplify the real voice of Frida Kahlo. As Gutierrez put it, “The aim is [...] how do we show somebody beyond the icon image we have of them? Which is kind of reduced and flattened. I think a lot of people see Frida as very empowered and she knew herself, but we really wanted to show the complexity and messiness that we all have.” Gutierrez continued by saying, “She [Frida Kahlo] guided us. In all the writings that we have of her, she’s not describing the things that happened; she’s telling us how she felt.”
The project is also fueled by Latino talent, as almost everyone who worked on it, from production and sound effects to animations and additional crew, is Latino, based in the U.S. and Mexico. As a predominantly Latino and female production, something Gutierrez is very proud of, the team was particularly passionate about honoring Kahlo and her art.
Portrait of Carla Gutiérrez, the director of the documentary "Frida"
Like many artists, Frida Kahlo’s recognition started growing after she died in 1954, so the world didn’t have the opportunity to dissect and understand her work with her. The iconic status that she gained after her death is still an amazing achievement, but there’s a tendency to separate her from her legacy.
“Frida” shows us that we can, indeed, understand the artist and her work with her. She left her feelings in her paintings and her words for us to find. This documentary unearths Frida Kahlo in a fresh, intimate way, allowing us a precious glimpse into who she really was as a woman. In showing us the depth and nuance of Kahlo, the documentary leaves viewers with valuable insights about resilience, vulnerability, womanhood, and more.
We asked Gutierrez what she hopes Latinas get out of this earnest documentary and she said, “In general, I want everybody to find the courage in what Frida did in expressing herself at her most intimate through her art. It was a process of catharsis for her and, in a way, it was therapy. What she lost in life, she kinda found in the creative process, and she did it with a lot of honesty and rawness.”
She continued, “I want Latinas to be inspired by that because sometimes in our culture, that’s not necessarily an important thing. Especially for women. To talk about how we feel, our heartaches, our experiences. They’re the most important things to speak about with honesty and it’s something that can help you and also the person listening.”
Viewers of this movie might be inspired to take a page out of Frida Kahlo’s book and live life as authentically, fiercely, and loudly as possible. “Frida” released March 14, 2023 on Prime Video.
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