Encanto: The Authentic Struggles Faced by Latina Daughters

image of Mirabel Madrigal character from the movie Encanto
Photo By: Disney

Warning: Spoiler Alert

I saw Encanto a while back, and yes I sobbed through it. Even if its lack of context, and explanation of what they’re running away from left me a bit confused, I couldn’t help but relate to all the Madrigal daughters. It’s a conversation starter for a lot of expectations placed on Latina daughters which as it turns out, is quite a heavy topic to take on.


Encanto tells the story of a familia with magic. Each of its family members has a special power such as super strength, the power to blossom plants, shapeshifting, and so on, except for one of them: Mirabel. Things get tricky and Mirabel discovers that their magic is running out, and she sets off on a quest to figure out how to save the magic. This quest ends up also showing Mirabel the burdens some of the family members have been silently carrying.

Luisa: Being of service and carrying all burdens

Encanto excels at talking about what we as Latina daughters go through. Luisa, the middle child with super strength, is literally and figuratively carrying the burdens of not only the Madrigals but also the entire community. In her song, she opens up about the pressure of handling everything and how being of service is the only identity she knows.

She sings that being the strong one pushes out the ability to reach out for help and wonders what it might be like to not always be working. She wonders what joy or even simple relaxation would look like.

This constant state of working and carrying is a state many Latinas can relate to. We’re usually the ones handling the problems, looking for solutions, and taking everything on because we’re capable of handling everything.

Our families rely on us, they put their hopes and aspirations on us and we just take everything in while spreading ourselves thin and living in a constant state of stress.

Luisa embodies this perfectly and shows us that this isn’t healthy and shouldn’t be considered “normal.”

Isabela: Being the perfect daughter

The oldest child, Isabela, is the “perfect” one. She can make beautiful plants bloom, but nothing else is allowed. The pressure of coming out with the same perfect required outcome forces her to do everything and sacrifice herself to get it. Familiar? She represents all Latina daughters who are held to unreasonably high standards, a topic we’ve discussed before.

In many Latino households making a mistake is not easily forgiven. We’re supposed to do everything right, make the best decisions for the family (no matter what that takes), and we must always rise above it all. Keeping up with the expectations is a tough job that creates a toxic state of self doubt, pressure, and loneliness. Things may look “perfect” to everyone from the outside, but on the inside it’s sad and lonely.

Encanto reminds us all that we can never forget that we must just allow our daughters to be who they are, and that there is no such thing as “perfect.”

Mirabel: Never being good enough for your family

On the opposite side of being the “perfect” daughter, is being the one that doesn’t meet the family expectations. Maybe you don’t follow in your parents’ footsteps, maybe your definition of success is not the same as theirs, or maybe you decide getting married or having kids isn’t for you. Mirabel was different because she didn’t inherit any magic so her character exposes the wounds of not being what your family expects, and how that turns into a constant state of feeling like you’ve let your family down.

This is a difficult topic that many of us can relate to, as the standards for women are usually based on sexists beliefs that aren’t aligned to what we want or need, making Mirabel a character that so many of us can relate to.

Pepa: Bottling all feelings in, except happiness

Pepa Madrigal’s mood changes the weather so if she’s upset, she can create a drizzle or even a hurricane which means that she has to control and try to avoid all negative feelings. When families experience an unusual amount of hardship, our coping mechanisms go on overdrive and were taught to be thankful for all the blessings we’ve got and to never express negative emotions or feelings.

While feeling and expressing gratitude is a healthy approach, it’s not healthy to pretend like negative feelings don’t exist, or that they can all be repressed on demand. It’s not human or healthy to be cheerful all the time. Pepa’s character shows us in a literal way how impossible it is to always try to be in a state of manufactured happiness and how it’s ok to allow and feel all the range of emotions, even if it means causing a little rain here and there.

So what happens to Latina daughters and how do we fix it

As we evolve from children and grow older we begin to notice in ourselves what these various expectations have caused in our lives and we’re left to deal with those wounds in our adulthood.

We are then stuck having to break the habits and expectations that our families often think are for our own good.

While this isn’t ideal, Encanto shows us that it’s necessary as we see Abuela finally evolve from her mistaken approaches.

Encanto is a sweet, fun, and loveable movie that easily breaks down some of the pressures of being a Latina daughter. It’s an opportunity to address how we’ve raised our daughters and what changes must be made in the future. It’s a must-watch for any family, and especially for Latino families.

This Viral Video Game Is Changing the Face of Voter Outreach

In 2024, voting campaigns have evolved greatly, to say the least. Creativity is now the name of the game and tongue-in-cheek humor is expertly leveraged to drive action. One example of that is Bop the Bigot, a revival of a viral game created in 2016 by Bazta Arpaio, an Arizona activist group, as part of a campaign to unseat Maricopa County’s Sheriff Joe Arpaio. Arpaio lost his re-election to Paul Penzone that year.

The game has now been updated for the current election cycle and relaunched by On Point Studios, with new features added to enable players to find out what’s on their ballot, confirm voter status, and register to vote.

Much like its former 2016 version, the game allows users to take out their political frustrations by virtually “bopping” GOP candidates in the head. It’s very similar to whack-a-mole, except the mole is replaced by former President Donald Trump, Ohio’s Senator J. D. Vance, and Kevin Roberts, President of the Heritage Foundation, which is spearheading Project 2025.

cartoon renditions of Donald Trump and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

B. Loewe, Director of On Point Studios, came up with the concept for this game when working as the Communications Director at Bazta Arpaio in 2016, and is the executive producer of this revamped version. In the first version of the game, Bop the Bigot players used a chancla (flip flop) to “bop” the characters, tapping into Latino culture by leaning on the childhood experience of being set right by a flying chancla from a fed-up mother or grandmother.

This year, the chancla is replaced by a more current element, a green coconut, referencing Kamala Harris’ coconut tree meme. There are also side characters like “the couch,” cat ladies, and more coconuts. All references to jokes about Vice-Presidential candidate Vance, or insults Vance has made about women on the campaign trail.

Another new addition is that Harris’ laugh is immortalized as the game-over sound effect, an unexpected detail that adds even more humor and levity to the game.

cartoon renditions of Donald Trump, Kevin Roberts, and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

Bop the Bigot, which is playable on desktop and mobile, is intended not just as a way to vent political frustrations, but also as a tool for activism and securing voter engagement.

For example, the game supports the work of Mexican Neidi Dominguez Zamorano, Founding Executive Director of the non-profit organization Organized Power in Numbers by using the “game over” screen to prompt players to donate to it and support their efforts.

Organized Power in Numbers is focused on empowering workers in the South and Southwest of the U.S. through collective action and comprehensive campaigns. Their mission is to create a large-scale movement that challenges the status quo and advocates for workers' rights, and racial and economic justice.

Currently, Dominguez Zamorano is leading worker outreach to 2 million working-class voters in the South and Southwest through doorknocking, texting, and calls with the help of local groups in North Carolina, Arizona, New Mexico, and more.

“We have been blown away by the enthusiastic reception for the video game. We knew we wanted to be part of its creative approach because our movement needs more fun and laughter. We need more ways to connect with nuestra gente so we can feel joy among all the absurdity we witness every day,” Dominguez Zamorano shared with Luz Media via email.

“Our people are gente trabajadora and we deserve to feel uplifted even in our toughest moments. We are deeply involved in the South and Southwest so we know what’s at stake in this election and we’re happy this can be a resource to mobilize, raise spirits, and get out the vote," she concluded.

Dominguez Zamorano is a committed activist for immigrants and workers' rights, known for her strategist skills and expertise. She played a key role in the campaign to win DACA and has also held roles in major campaigns, including as Deputy National States Director for Bernie Sanders' 2020 presidential campaign. In addition to her work with Organized Power in Numbers, Dominguez Zamorano is serving as a Senior Advisor to Mijente’s Fuera Trump Initiative.

Grassroots efforts like these have taken on new life in 2024, with Bop the Bigot adding to the larger, ongoing fight against political apathy and disinformation. Just as it did during the 2016 race, the video game uses humor to soften the serious task at hand—getting people to the polls.

"We want the game to be a fun and comical outlet for anyone who’s been insulted, frustrated, or harmed by Trump in the past and everyone who is ready to move forward as a country after election day," explained Loewe in a press release. "The proposals in Project 2025 and the beliefs of Trump and Vance aren’t just weird, they’re truly harmful. We wanted to give people a humorous and peaceful way to smack down their racism and sexism. We hope it makes people laugh and also feel empowered and motivated to get to the polls on or before election day."

With a mix of satire, sharp political critique, and nostalgia, the game is a call to action. The upcoming election, which is getting closer by the minute, has sparked fierce activism and creative yet grounded initiatives like these aim to ensure voters are engaged, especially young Latinos and disenfranchised groups.

hands holding up yellow protest signs that say Hands Off Our Bodies
Photo Credit: Gayatri Malhotra via Unsplash

Originally published in Common Dreams. Reprinted with permission.

The Latino electorate will prove decisive in securing reproductive freedom and abortion access through ballot measures around the country, particularly in states where Latinos are a significant portion of the electorate.

In November, abortion rights measures will appear on ballots across ten states, including Arizona, Colorado, Florida, Nevada, and New York, where Latinos make up a significant portion of the electorate. For decades, pundits and politicians have recycled long-held misconceptions about Latino voters and abortion access, citing our conservative and religious beliefs.

Anti-abortion extremists have long fueled these misconceptions through misinformation and disinformation campaigns targeting Latino communities with egregious lies and inflammatory rhetoric about abortion. Yet, polling, focus groups, and direct interactions with Latino communities have debunked these outdated tropes.

The Latino electorate will prove decisive in securing reproductive freedom and abortion access through ballot measures around the country, particularly in states where Latinos are a significant portion of the electorate.

For Latinos, the freedom to decide, a pillar of our American democracy, is critical. Meanwhile, Latinos are being hit directly with anti-abortion efforts that take away that freedom such as the six-week abortion ban put into effect by the Florida Supreme Court and the 1864 abortion ban upheld by the Arizona Supreme Court. In the wake of the Dobbs decision, people of color and Latinas have felt the impact of a lack of abortion access, an element of basic healthcare.

A 2023 report by the National Partnership for Women and Families estimated that nearly 6.5 million Latinas, or 42% of all Latinas of reproductive age in the country, live in a state that either had or was likely to ban abortion. Ironically, it will be abortion access and anti-choice efforts to restrict freedom of choice that will mobilize Latino voters this election.

In a poll conducted by three national reproductive justice organizations, 87% of Latinas named abortion and women’s rights as one of their top priorities as they head to the polls. Another battleground poll conducted by Somos PAC and BSP Research found that 61% of Latino registered voters expressed a more positive/favorable view of Kamala Harris after hearing that she will protect abortion rights, versus only 19% of Latinos who said they had a more negative view of Harris after hearing that.

In key states to secure the White House and both chambers, Latinos make up large chunks of the electorate: Arizona (25%), Colorado (15%), Florida (20%), Nevada (20%), and New York (12%). In the face of unprecedented attacks on basic healthcare access and targeted attempts by extremists to mislead and divide our community on this issue, this November Latinos will be key deciders on abortion access across the country.

Mari Urbina, Managing Director of Indivisible, Battleground Arizona Lead and former Harry Reid advisor.

Héctor Sánchez Barba is president and CEO of Mi Familia Vota (MFV).