Hair Braids in Latino Culture: History or Appropriation?

Latin woman braids the hair of a younger companion against the backdrop of a Caribbean beach.
Image imagined with AI by Luz Media editorial staff

Hairstyles have always been about more than just aesthetics. They’re a symbol of ethnicity, religion, social status, resistance, and more. Through them, ethnic and cultural groups have been able to reclaim their identities in the past and the present. Hair braids are one of those empowering hairstyles that have stood the test of time.

The art of hair braids isn’t specific to one culture or people because it has existed everywhere in many forms, including Ancient America. Mummies hundreds or thousands of years old have been found wearing braids, such as the Pre-Columbian Mummy “Juanita” of Peru.


That said, every culture and people have made hair braids their own, birthing all kinds of styles and traditions around them. Given the growth of the conversation around cultural appropriation and braids, we explore the history of hair braids, particularly as they relate to Latino culture.

Like so many other Latino cultural topics, it’s deeply nuanced.

The History of Hair Braids in Latin America

It’s no secret that Latino history is largely ignored in the U.S. This contributes to an environment where research on Latinos and Latino culture isn’t abundantly available. One of the challenges of attempting to examine the origin of braids within Latin America is the lack of credible research on the subject. While more is needed, there’s enough available to be able to offer a historical overview and understand at least some of the layers of meaning behind hair braiding for Latinas.
The history of hair braids in Latin America is diverse, and a variety of indigenous cultures have contributed to the art form. Hair braids date as far back as the Mayan and Aztec civilizations, which practiced intricate hair braiding to indicate what community or tribe they belonged to. This is why braids are such a popular hairstyle in Mexico, Guatemala, and parts of Central America, even today.

Andean cultures, like the Incas in Peru and Chile, also have a long history of hair braiding. Indigenous communities like the Quechua and Aymara are also known for their hair braids, which often communicate a person’s identity, connection to ancestors, strength, and vitality. Braids are even used to celebrate or mark life events and milestones.

Within Latino culture, this hairstyle has also been shaped by African people and their hair-braiding art. Because of the transatlantic slave trade, African culture merged with Latino hair-braiding traditions. Enslaved Africans brought their techniques and heritage, which spread because they used their hair as a means of communication.

For example, in 16th-century Colombia, intricate braids represented coded messages to spread information about the slaves’ surroundings, escape routes, and the locations of Spanish troops. African slaves also used braids to carry seeds, grains, and small trinkets. When they escaped, these belongings helped them survive and build communities wherever they went. To this day, hair braiding is a central part of the Afro-Colombian identity.

This is just some of the history of hair braiding in Latin America to give an idea of how ingrained it is into the culture. The integration of African and European ethnic groups has resulted in a wide range of hair textures, from straight to tightly coiled curls. Braiding has been a long-standing practice of hair care, but also of connection to our ancestors and roots.

Is It Cultural Appropriation to Wear Hair Braids?

This is a question most often asked by and for white people, but it’s also something Latinas ask themselves, especially those who are racially white or have lighter skin and can be white-passing. This has a lot to do with the fact that hair braids are primarily associated with Black culture, and they are indeed a central part of Black expression.

However, it’s also true that hair braiding is an integral part of Latino culture and has been for centuries. So, to determine whether wearing braids is appropriation, we have to consider the definition. Cultural appropriation consists of taking something from a culture that’s not your own and engaging with it in an exploitative or disrespectful way.

In the Latino and Afro-Latino communities, hair braiding shouldn’t be classified as cultural appropriation because it’s part of the heritage. It’s a practice that has been passed down through generations as a form of expression, hair care, and cultural pride. In the context of white people, the question is a bit more difficult to answer because it depends on the intention of the wearer and the type of braid as well.

For example, French braids, fishtail braids, and 3-strand braids are usually appropriate for everyone. They don’t hold the same cultural significance for Black or Latino people as box braids, braids with ribbons, beaded braids, side braids, crown braids, and many others, which are steeped in history and tradition.

When it comes to intention, wearing braids as a form of appreciation or a way of connecting to other cultures can be acceptable. For example, people who travel to the Caribbean often come back with braided hair because locals share this part of their culture. It’s also a way for them to make a living, so tourists directly contribute to their livelihoods.

Permanently adopting hair braids, especially the more traditional and culturally significant styles, might be cultural appropriation. Not having a connection to the symbolism and identity that certain styles represent, but wearing them anyway may be disrespectful. It may also be exploitative if there’s something to gain from adopting these hairstyles without regard for or acknowledgment of the communities they belong to.

Hair Braids as a Symbol of Latino Pride

Ultimately, wearing hair braids as Latinas is a great way to honor ancestors and traditions. There’s no rule for Latinas when it comes to wearing most styles of braids. It’s a matter of identifying the reason why they are being worn and how that relates to their identity, community, sense of self, and their politics.

Even if the decision is made not to wear hair braids, learning about them and sharing the knowledge can help bring the community closer together. A big part of bonding with one another is finding connections through sharing the different aspects of our culture, even if we don’t always partake in them.

Recognizing where hair braids come from and their influences, whether they’re African or Indigenous, is an effective way to help create awareness about our diverse experiences and relate more closely to the Latino community. Especially when that community is often overlooked and intentionally kept out of important historical narratives.

This Viral Video Game Is Changing the Face of Voter Outreach

In 2024, voting campaigns have evolved greatly, to say the least. Creativity is now the name of the game and tongue-in-cheek humor is expertly leveraged to drive action. One example of that is Bop the Bigot, a revival of a viral game created in 2016 by Bazta Arpaio, an Arizona activist group, as part of a campaign to unseat Maricopa County’s Sheriff Joe Arpaio. Arpaio lost his re-election to Paul Penzone that year.

The game has now been updated for the current election cycle and relaunched by On Point Studios, with new features added to enable players to find out what’s on their ballot, confirm voter status, and register to vote.

Much like its former 2016 version, the game allows users to take out their political frustrations by virtually “bopping” GOP candidates in the head. It’s very similar to whack-a-mole, except the mole is replaced by former President Donald Trump, Ohio’s Senator J. D. Vance, and Kevin Roberts, President of the Heritage Foundation, which is spearheading Project 2025.

cartoon renditions of Donald Trump and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

B. Loewe, Director of On Point Studios, came up with the concept for this game when working as the Communications Director at Bazta Arpaio in 2016, and is the executive producer of this revamped version. In the first version of the game, Bop the Bigot players used a chancla (flip flop) to “bop” the characters, tapping into Latino culture by leaning on the childhood experience of being set right by a flying chancla from a fed-up mother or grandmother.

This year, the chancla is replaced by a more current element, a green coconut, referencing Kamala Harris’ coconut tree meme. There are also side characters like “the couch,” cat ladies, and more coconuts. All references to jokes about Vice-Presidential candidate Vance, or insults Vance has made about women on the campaign trail.

Another new addition is that Harris’ laugh is immortalized as the game-over sound effect, an unexpected detail that adds even more humor and levity to the game.

cartoon renditions of Donald Trump, Kevin Roberts, and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

Bop the Bigot, which is playable on desktop and mobile, is intended not just as a way to vent political frustrations, but also as a tool for activism and securing voter engagement.

For example, the game supports the work of Mexican Neidi Dominguez Zamorano, Founding Executive Director of the non-profit organization Organized Power in Numbers by using the “game over” screen to prompt players to donate to it and support their efforts.

Organized Power in Numbers is focused on empowering workers in the South and Southwest of the U.S. through collective action and comprehensive campaigns. Their mission is to create a large-scale movement that challenges the status quo and advocates for workers' rights, and racial and economic justice.

Currently, Dominguez Zamorano is leading worker outreach to 2 million working-class voters in the South and Southwest through doorknocking, texting, and calls with the help of local groups in North Carolina, Arizona, New Mexico, and more.

“We have been blown away by the enthusiastic reception for the video game. We knew we wanted to be part of its creative approach because our movement needs more fun and laughter. We need more ways to connect with nuestra gente so we can feel joy among all the absurdity we witness every day,” Dominguez Zamorano shared with Luz Media via email.

“Our people are gente trabajadora and we deserve to feel uplifted even in our toughest moments. We are deeply involved in the South and Southwest so we know what’s at stake in this election and we’re happy this can be a resource to mobilize, raise spirits, and get out the vote," she concluded.

Dominguez Zamorano is a committed activist for immigrants and workers' rights, known for her strategist skills and expertise. She played a key role in the campaign to win DACA and has also held roles in major campaigns, including as Deputy National States Director for Bernie Sanders' 2020 presidential campaign. In addition to her work with Organized Power in Numbers, Dominguez Zamorano is serving as a Senior Advisor to Mijente’s Fuera Trump Initiative.

Grassroots efforts like these have taken on new life in 2024, with Bop the Bigot adding to the larger, ongoing fight against political apathy and disinformation. Just as it did during the 2016 race, the video game uses humor to soften the serious task at hand—getting people to the polls.

"We want the game to be a fun and comical outlet for anyone who’s been insulted, frustrated, or harmed by Trump in the past and everyone who is ready to move forward as a country after election day," explained Loewe in a press release. "The proposals in Project 2025 and the beliefs of Trump and Vance aren’t just weird, they’re truly harmful. We wanted to give people a humorous and peaceful way to smack down their racism and sexism. We hope it makes people laugh and also feel empowered and motivated to get to the polls on or before election day."

With a mix of satire, sharp political critique, and nostalgia, the game is a call to action. The upcoming election, which is getting closer by the minute, has sparked fierce activism and creative yet grounded initiatives like these aim to ensure voters are engaged, especially young Latinos and disenfranchised groups.

hands holding up yellow protest signs that say Hands Off Our Bodies
Photo Credit: Gayatri Malhotra via Unsplash

Originally published in Common Dreams. Reprinted with permission.

The Latino electorate will prove decisive in securing reproductive freedom and abortion access through ballot measures around the country, particularly in states where Latinos are a significant portion of the electorate.

In November, abortion rights measures will appear on ballots across ten states, including Arizona, Colorado, Florida, Nevada, and New York, where Latinos make up a significant portion of the electorate. For decades, pundits and politicians have recycled long-held misconceptions about Latino voters and abortion access, citing our conservative and religious beliefs.

Anti-abortion extremists have long fueled these misconceptions through misinformation and disinformation campaigns targeting Latino communities with egregious lies and inflammatory rhetoric about abortion. Yet, polling, focus groups, and direct interactions with Latino communities have debunked these outdated tropes.

The Latino electorate will prove decisive in securing reproductive freedom and abortion access through ballot measures around the country, particularly in states where Latinos are a significant portion of the electorate.

For Latinos, the freedom to decide, a pillar of our American democracy, is critical. Meanwhile, Latinos are being hit directly with anti-abortion efforts that take away that freedom such as the six-week abortion ban put into effect by the Florida Supreme Court and the 1864 abortion ban upheld by the Arizona Supreme Court. In the wake of the Dobbs decision, people of color and Latinas have felt the impact of a lack of abortion access, an element of basic healthcare.

A 2023 report by the National Partnership for Women and Families estimated that nearly 6.5 million Latinas, or 42% of all Latinas of reproductive age in the country, live in a state that either had or was likely to ban abortion. Ironically, it will be abortion access and anti-choice efforts to restrict freedom of choice that will mobilize Latino voters this election.

In a poll conducted by three national reproductive justice organizations, 87% of Latinas named abortion and women’s rights as one of their top priorities as they head to the polls. Another battleground poll conducted by Somos PAC and BSP Research found that 61% of Latino registered voters expressed a more positive/favorable view of Kamala Harris after hearing that she will protect abortion rights, versus only 19% of Latinos who said they had a more negative view of Harris after hearing that.

In key states to secure the White House and both chambers, Latinos make up large chunks of the electorate: Arizona (25%), Colorado (15%), Florida (20%), Nevada (20%), and New York (12%). In the face of unprecedented attacks on basic healthcare access and targeted attempts by extremists to mislead and divide our community on this issue, this November Latinos will be key deciders on abortion access across the country.

Mari Urbina, Managing Director of Indivisible, Battleground Arizona Lead and former Harry Reid advisor.

Héctor Sánchez Barba is president and CEO of Mi Familia Vota (MFV).