Latina Superheroes: Few but Mighty

Graphic showcasing Latina superheroes
Luz Media

It’s National Superhero Day. Whether you’re a fan of superhero comics, movies, or TV shows, you’ve probably noticed there isn’t much Latino flavor to speak of. That’s not because Latino and Latina superheroes don’t exist, it’s simply because their stories don’t get much of the spotlight. Things are changing on that front as audiences seek more diversity in their media. To highlight that, here are 15 Latina superheroes you should know about:


Elena Rodríguez aka Yo-Yo or Slingshot

Artwork for the character of Elena Rodr\u00edguez aka Yo-Yo or Slingshot

Character of Marvel

Elena Rodríguez, also known as Yo-Yo or Slingshot, is one of Marvel’s superheroes. She appeared for the first time in 2008 in the comic “The Mighty Avengers” and then she was interpreted by Natalia Cordova-Buckley in the show “Agents of S.H.I.E.L.D.” This character is of Colombian descent and she’s kind of a reluctant hero because she’s much more interested in helping her community than the world at large. However, she has a compelling journey where she becomes one of the best S.H.I.E.L.D. agents. Inspiring, especially for Latina girls!

Yolanda Montez aka Wildcat

Artwork for the character of Yolanda Montez aka Wildcat

Character of DC Comics

Yolanda Montez, also known as Wildcat, was part of DC’s attempt to diversify its lineup of superheroes in the 80s. In the comics, she’s a legacy superhero and took up the mantle of Wildcat after the death of Ted Grant. However, there was no consistent place for the character in the comics, and she was eventually killed off. Wildcat was brought back for DC’s “Stargirl,” a 2022 show where an unlikely group of young superheroes come together to defeat a villain. Montez’s character battles with Catholic guilt and gets caught between her Mexican culture and her friends’ culture; a struggle that many young Latinas in the U.S. can relate to.

Anya Sofía Corazón aka Spider-Girl

Artwork for the character of Anya Sof\u00eda Coraz\u00f3n aka Spider-Girl

Character of Marvel

We know that with great power comes great responsibility. Of Mexican and Puerto Rican descent, Anya Sofía Corazón was the first Araña and the third Spider-Girl in the Marvel comics. As Spider-Girl, she got her powers after being caught in a fight between two mystical clans called The Spider Society and the Sisterhood of the Wasp. She was fatally wounded, but a sorcerer from The Spider Society transferred some of his powers to her, which included enhanced strength, agility, and the ability to grow a blue exoskeleton to protect herself. Anya briefly appeared as Spider-Girl in “Spider-Man: Across the Spider-Verse,” and most recently, she had her first live-action appearance in the film “Madame Web,” played by Peruvian-American actress Isabela Merced. We hope to see more of her in future films.

Kendra Saunders aka Hawkgirl

Artwork for the character of Kendra Saunders aka Hawkgirl

Character of DC Comics

Kendra Saunders, also known as Hawkgirl, is another DC superhero and she comes from a line of reincarnations from the angel Shrra. Kendra is a Latina (rebooted as Afro-Latina in 2011) who gets her powers after she dies by suicide and becomes a vessel for the soul of Shiera Sanders Hall, the Golden Age Hawkgirl. When Kendra comes to, she has all of her memories but none of Sheira’s memories, only her powers. She was brought to life by Ciara Renée in “DC's Legends of Tomorrow,” and Isabela Merced will play her in James Gunn’s “Superman: Legacy.” It will be fun to see another Latina superhero on screen!

Molly Hernandez

Artwork for the character of Molly Hernandez

Promotional image of Runaways (TV series)/Season Three

Molly Hernandez is a character in “Marvel’s Runaways,” and she’s a reimagined version of the comic book character Molly Hayes. This new version of the character makes Molly Latina, but her exact ethnicity is unknown because her parents died when she was young and then she was adopted. It’s important to acknowledge the lack of effort put into her Latinidad for “Marvels’ Runaways,” but there’s potential for development in future projects. Molly is played by Allegra Acosta and she has superhuman strength and durability. She’s as strong as the Hulk or Thor, and her story is very compelling because she joins the Runaways, a team of fugitive superheroes, after discovering her adoptive parents are villains. Because she doesn’t know anything about her origins, the theme of connecting with her Latina culture and navigating her duality is a big part of her character arc.

Marisol Ríos De La Cruz aka La Borinqueña

Artwork for the character Marisol R\u00edos De La Cruz aka La Borinque\u00f1a

Character created by Edgardo Miranda-Rodriguez

Marisol Rios De La Luz is a Latina superhero created by Edgardo Miranda-Rodriguez. Marisol is a Columbia University undergrad student majoring in Earth and Environmental Sciences. While she takes a semester abroad at the University of Puerto Rico, she explores the caves of Puerto Rico and finds five crystals that untimely give Marisol her powers — strength, the power of flying, and control of storms. Her story is one of self-discovery as she connects with and embraces her Afro-Puerto Rican identity. As a superhero, she focuses on solving environmental issues in Puerto Rico and the people embrace her as their vigilante.

Claire Temple

Artwork for the character Claire Temple

Character of Marvel

Claire Temple is a character from the show “Marvel’s Daredevil” and she’s played by Rosario Dawson. She’s loosely based on Night Nurse, a character from the Marvel Comics. In the show, Claire Temple is a former night shift nurse of Cuban descent. She provides medical assistance not only to Daredevil but also to Jessica Jones and Luke Cage, other characters who also defend and protect the city. She doesn’t only provide medical attention, she’s also the moral backbone of the group, helping characters be better. She’s a kind of quiet hero and she represents all those people who work late hours to make sure we get help when we need it most.

Renee Montoya aka The Question

Artwork for the character Renee Montoya aka The Question

Character of DC Comics

Back to the DC Universe, we have Renee Montoya, one of the most interesting Latin superheroes in recent years. Her journey began on “Batman: The Animated Series” and she became so popular that she was introduced to the Batman comics as well. She’s a great detective, but there’s a dark side to her due to her destructive behavior. Following the death of a work partner, she seeks spirituality with The Question, a mystical entity. When The Question dies, he leaves the costume and name to Montoya. She provides representation for queer Latinas and is quite a complicated character in her ambiguity.

Jalisco

Artwork for the character Jalisco

Character of Latinasuperheroes

Jalisco is one of the more creative Latina superheroes on the list because she’s a crime-fighting folklorico dancer on a mission to save her mom from the violent femicide happening in Mexico. Created by Chicana writer and Director Kayden Phoenix, Jalisco is a graphic novel that follows a young girl as she’s taken under the wings of a band of Adelitas, who prepare her to fight against Malinche, the fictional character behind the femicide. Phoenix has created an entire universe of Latina superheroes, the first of its kind, where each Latina superhero fights for a specific social justice cause. They also band together and create the “A La Brava” team. Kudos to Phoenix for bringing much-needed diversity to the space of graphic novel superheroes!

Jessica Cruz aka Green Lantern

Artwork for the character Jessica Cruz aka Green Lantern

Character of DC Comics

Jessica Cruz is half Mexican-American and half Honduran-American, and she’s one of the sworn protectors of the Earth. She's the first female representative of the Green Lantern Corps on Earth, which is pretty cool. Jessica’s story is quite compelling because she deals with intense PTSD due to a traumatic incident in her past and her character arc is all about overcoming that fear so she can do good for other people. It’s a very inspiring story in DC comics, and we hope it gets an adaptation someday.

Maya Lopez aka Echo

Artwork for the character Maya Lopez aka Echo

Character of Marvel

Maya Lopez, also known as Echo, from the Marvel Universe. She’s one of the few deaf characters and her powers are pretty cool because she can mimic any physical action, hence her name. She’s a highly adaptable character, so she can take on powerful enemies by adopting their fighting style. Her mother is Latina while her father is Cheyenne, representing Latino and Indigenous communities, as well as the deaf community. Echo will have her own series on Disney+ later this year, so keep an eye out for that.

Supergirl

Artwork for the character Supergirl

Character of DC Comics

Supergirl is a DC superhero and she was introduced to the universe in 1959. Supergirl is not Latina, but one of her precursors was. In the comic Superboy #5, Superboy meets Queen Lucy, a monarch from Borgonia, a fictional South American country. She flees to Smallville to escape the control of Count Norvello. There, Superboy befriends her and one day she helps him handle some crooks, prompting people to believe there’s a Supergirl. The story takes off in the newspapers, so Superboy uses his powers to make her seem superhuman. Eventually, she goes back to Borgonia to reclaim her throne. Most recently, Supergirl was portrayed by Colombian-American actress Sasha Calle in the film “The Flash,” a refreshing break from the white blonde women who usually bring the character to life in adaptations.

America Chavez aka Miss America

Artwork for the character America Chavez aka Miss America

Character of Marvel

Miss America, Marvel’s lesbian Latina superhero, first appeared in 2011 in a limited series titled "Vengeance." Born in a Utopian Parallel outside of time and reality, Chavez was raised by two superpowered mothers. By absorbing the energy of a being called the Demiurge, Chavez can travel in time and to different dimensions, fly, and enjoy super speed and strength. After her mothers were killed protecting Utopia from destruction, America ran away to Earth, where she was adopted by a Puerto Rican family in the Bronx. Miss America is one of the most powerful female superheroes in the Marvel Universe and she provides representation for queer Latin Americans. She was brought to life for the first time by Mexican-American actress Xochitl Gomez in the film “Doctor Strange in the Multiverse of Madness,” and we can’t wait to see more of her.

Lúz La Luminosa

Artwork for the character L\u00faz La Luminosa

Character created by Edgardo Miranda-Rodriguez

Lúz La Luminosa is a Chinese-Dominican superhero, and she’s La Borinqueña’s best friend. Also created by Edgardo Miranda-Rodriguez, this character goes on solo adventures and has the power of bioluminescent energy, which allows her to create force fields. Lúz also has endometriosis, a condition that affects 1 in 10 women and is characterized by symptoms like pelvic pain, painful periods, pain during sex, and even infertility. We see Lúz managing her condition as she goes about her life and patrols the streets to protect people, making her a symbol of resilience and female empowerment. Her endometriosis is a big part of her identity, providing much-needed representation and visibility for a condition that’s often misunderstood and overlooked.

Bonita Juarez aka Firebird

Artwork for the character  Bonita Juarez aka Firebird

Character of Marvel

Last but not least, we have Bonita Juarez, also known as Firebird. She’s one of the most notable Latina superheroes in the Marvel Universe and one of the most prominent Latina characters in the comics. Bonita is a social worker and a devoted Catholic who comes into contact with a radioactive meteorite while walking the deserts of Albuquerque, New Mexico. She survived the encounter, but the radiation altered her DNA, giving her the ability to fly and the power to generate heat and flames. Believing her powers were a gift from God, she named herself Firebird and dedicated her life to protecting people in the Southwest.

bop the bigot video game logo

In 2024, voting campaigns have evolved greatly, to say the least. Creativity is now the name of the game and tongue-in-cheek humor is expertly leveraged to drive action. One example of that is Bop the Bigot, a revival of a viral game created in 2016 by Bazta Arpaio, an Arizona activist group, as part of a campaign to unseat Maricopa County’s Sheriff Joe Arpaio. Arpaio lost his re-election to Paul Penzone that year.

The game has now been updated for the current election cycle and relaunched by On Point Studios, with new features added to enable players to find out what’s on their ballot, confirm voter status, and register to vote.

Much like its former 2016 version, the game allows users to take out their political frustrations by virtually “bopping” GOP candidates in the head. It’s very similar to whack-a-mole, except the mole is replaced by former President Donald Trump, Ohio’s Senator J. D. Vance, and Kevin Roberts, President of the Heritage Foundation, which is spearheading Project 2025.

cartoon renditions of Donald Trump and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

B. Loewe, Director of On Point Studios, came up with the concept for this game when working as the Communications Director at Bazta Arpaio in 2016, and is the executive producer of this revamped version. In the first version of the game, Bop the Bigot players used a chancla (flip flop) to “bop” the characters, tapping into Latino culture by leaning on the childhood experience of being set right by a flying chancla from a fed-up mother or grandmother.

This year, the chancla is replaced by a more current element, a green coconut, referencing Kamala Harris’ coconut tree meme. There are also side characters like “the couch,” cat ladies, and more coconuts. All references to jokes about Vice-Presidential candidate Vance, or insults Vance has made about women on the campaign trail.

Another new addition is that Harris’ laugh is immortalized as the game-over sound effect, an unexpected detail that adds even more humor and levity to the game.

cartoon renditions of Donald Trump, Kevin Roberts, and J.D. Vance around a Bop the Bigot logoPromotional image provided by On Point Studios.

Bop the Bigot, which is playable on desktop and mobile, is intended not just as a way to vent political frustrations, but also as a tool for activism and securing voter engagement.

For example, the game supports the work of Mexican Neidi Dominguez Zamorano, Founding Executive Director of the non-profit organization Organized Power in Numbers by using the “game over” screen to prompt players to donate to it and support their efforts.

Organized Power in Numbers is focused on empowering workers in the South and Southwest of the U.S. through collective action and comprehensive campaigns. Their mission is to create a large-scale movement that challenges the status quo and advocates for workers' rights, and racial and economic justice.

Currently, Dominguez Zamorano is leading worker outreach to 2 million working-class voters in the South and Southwest through doorknocking, texting, and calls with the help of local groups in North Carolina, Arizona, New Mexico, and more.

“We have been blown away by the enthusiastic reception for the video game. We knew we wanted to be part of its creative approach because our movement needs more fun and laughter. We need more ways to connect with nuestra gente so we can feel joy among all the absurdity we witness every day,” Dominguez Zamorano shared with Luz Media via email.

“Our people are gente trabajadora and we deserve to feel uplifted even in our toughest moments. We are deeply involved in the South and Southwest so we know what’s at stake in this election and we’re happy this can be a resource to mobilize, raise spirits, and get out the vote," she concluded.

Dominguez Zamorano is a committed activist for immigrants and workers' rights, known for her strategist skills and expertise. She played a key role in the campaign to win DACA and has also held roles in major campaigns, including as Deputy National States Director for Bernie Sanders' 2020 presidential campaign. In addition to her work with Organized Power in Numbers, Dominguez Zamorano is serving as a Senior Advisor to Mijente’s Fuera Trump Initiative.

Grassroots efforts like these have taken on new life in 2024, with Bop the Bigot adding to the larger, ongoing fight against political apathy and disinformation. Just as it did during the 2016 race, the video game uses humor to soften the serious task at hand—getting people to the polls.

"We want the game to be a fun and comical outlet for anyone who’s been insulted, frustrated, or harmed by Trump in the past and everyone who is ready to move forward as a country after election day," explained Loewe in a press release. "The proposals in Project 2025 and the beliefs of Trump and Vance aren’t just weird, they’re truly harmful. We wanted to give people a humorous and peaceful way to smack down their racism and sexism. We hope it makes people laugh and also feel empowered and motivated to get to the polls on or before election day."

With a mix of satire, sharp political critique, and nostalgia, the game is a call to action. The upcoming election, which is getting closer by the minute, has sparked fierce activism and creative yet grounded initiatives like these aim to ensure voters are engaged, especially young Latinos and disenfranchised groups.

a woman giving the side eye to a man

Have you ever met someone who seems overly confident, self-centered, or even downright rude? Maybe they constantly talk about themselves, disregard your feelings, or even manipulate situations to their advantage. And, if you're anything like us and countless other Latinas, you might've thought, is this person just a purebred a**hole, or are they a narcissist?

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woman surrounded by colorful illustrations
Image by Sayuri Jimenez.

Nathalie Molina Niño has never been one to shy away from breaking barriers, and now, she’s focusing her attention on a new mission: demystifying corporate boardrooms for women, especially Latinas. Molina Niño is the President of Known, an asset management and financial services firm, a veteran tech entrepreneur and builder capitalist, and a board member at the iconic lingerie Brand, Hanky Panky, and others.

Like many corporate boards, Hanky Panky hadn’t publicly disclosed its board composition until recently. After the brand survived the challenges of the COVID-19 pandemic, Molina Niño decided it was time for more women, specifically more Latinas, to know what it means to be on corporate boards.

Coincidentally, the decision to finally be more vocal about this topic aligned with the start of Hispanic Heritage Month, which served as the perfect kick-off to the work.

"Something that rarely gets talked about and I think almost gets kept opaque by design is boards,” she explains in a recent Instagram announcement. “[This Latinx Heritage Month], that’s what I’ll be talking about.” Her goal? To equip more Latinas with the knowledge they need to navigate onto for-profit boards, where they can thrive and build multi-generational wealth.

For-profit corporate boards often feel like an exclusive club. And in many ways, they are, especially for Latinas, who hold the smallest percentage of board seats in Fortune 500 companies compared to other racial groups. According to the latest report from Latino Board Monitor, while Latinos hold 4.1% of these board seats (compared to 82.5% held by white people), only 1% go to Latinas. Molina Niño, a first-generation American of Ecuadorian and Colombian descent, is part of this boardroom minority.

When asked about her experience as a Latina board member during a recent Zoom interview, she said, “It’s been lonely. There’s not a lot of Latinas on boards.” She went on to explain that even serving on boards of Latina-founded businesses gets lonely because, “A lot of the times, people who serve on their boards represent their investors and, as a result, [...] you still don’t see a lot of Latinas on those boards.”

This lack of representation drives Molina Niño’s determination to increase Latina presence in corporate boardrooms. By sharing her insights, she hopes to give Latinas a roadmap to claim their seats at the table. “If you don’t know where to go, it’s impossible to figure out how to get there,” she says.

The Road to the Boardroom

Getting onto a for-profit corporate board isn’t an overnight achievement, but it’s not an unattainable dream either. People often think you need to be a CEO or have a certain type of background, but that’s one of the biggest myths about boards in Molina Niño’s experience. What they’re really looking for is expertise — whether that’s in finance, marketing, sustainability, or even technology. If you have that expertise, you’re already an asset. It’s simply a matter of which road you should take.

Understanding what boards are and how they operate is key to unlocking opportunities. For-profit boards serve as the governing body for companies, overseeing direction and financial stability, and guiding CEOs and executives in decision-making. But Molina Niño emphasizes that not all for-profit boards are created equal.

“There are two kinds [of for-profit boards] [...]. There’s the publicly traded business board and then, on the privately held side, there are, I would argue, two types of boards [...] the traditional business board and the venture-backed business board,” explains Molina Niño. Traditional businesses are often family-owned or long-established and may only form boards to meet requirements, like securing financing or transitioning through an ESOP. Venture-backed boards, on the other hand, are typically filled by investors who hold major stakes in the company.

According to Molina Niño, understanding the difference between them is how you can create a successful strategy. With publicly traded business boards, the whole world is privy to them, so, “The way that you get in there is a little bit more transparent. Sometimes those publicly traded companies will hire a recruiter to help them find new board members,” explains Molina Niño. For private companies, on the other hand, there’s no legal requirement to make announcements. As a result, most people don’t know anything about them or their inner workings.

“Usually what happens in traditional businesses that don’t have venture-capital investments is that the Founders, Executives, or the board members, if one existed already, they usually go to their friends,” and people they deem experienced to fill board seats. In other words, it’s the founder’s decision, and that’s an entirely different approach than hiring recruiters. When it comes to venture-backed business boards, the seats on the board are filled by whichever investor writes the biggest check.

This is why an understanding of the different types of boards and acknowledgment of their own strengths is what will help Latinas define a sound strategy. Whether that’s working with a recruiter, networking and connecting with founders to build trust, or making the biggest investment.

The Path for Latinas

For Molina Niño, the key to getting more Latinas into corporate boardrooms is education. Knowing what a board looks like and how it functions is how you can position yourself to get on it. In openly talking about this, without the mystique it’s usually shrouded in, Molina Niño is providing women, especially Latinas, with invaluable insights. “If we had Latinas understanding what are the three types of for-profit boards I think that, on their own, they would be able to figure out what their best chance is and adjust their careers to make themselves more competitive,” states Molina Niño.

When asked about the impact of increased Latina representation in boardrooms, Molina Niño flips the narrative. “Boards don’t help Latinas by offering them seats; Latinas help businesses thrive by being on their boards,” she says. “The whole point of sitting on a board is that you have experience and expertise, and as Latinas, you also have some cultural experience that everyone wants. [...] At the end of the day, we [Latinas] have to realize that we have a ton to offer and we have to be selective about where we put that expertise,” she explains.

As demand for access to the Latina consumer rises, Molina Niño predicts that more Latinas will find themselves recruited into boardrooms. But she’s not content to sit back and wait for that moment. By openly sharing her journey and insights, she’s making sure other Latinas know their worth and have the tools to claim their place at the table. “I realized that quietly being on boards that helped me personally is not helping other Latinas. [...] I was lucky enough to have friends who could advise me and share their experiences, so that’s why I’m doing this,” she stated.

With Hispanic Heritage Month as the backdrop, Nathalie Molina Niño’s mission is clear: “My goal is just to give Latinas enough information so they can make a plan for how to eventually get on a board that they’re paid to be on and that will eventually help them build generational wealth.”